Fiction - General

This astonishing collection of all-new tales by some of the most acclaimed writers at work today is called, simply, Stories. Edited by Neil Gaiman (Sandman, The Graveyard Book, Anansi Boys, Coraline) and Al Sarrantonio (award-winning author of forty books and editor of numerous collections), Stories presents never before published short works from a veritable Who’s Who of contemporary literature—breathtaking inventions from the likes of Lawrence Block, Roddy Doyle, Joanne Harris, Joe Hill, Walter Mosley, Joyce Carol Oates, Stewart O’Nan, Chuck Palahniuk, Carolyn Parkhurst, Jodi Picoult, Peter Straub…and, of course, the inimitable Neil Gaiman himself.<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />

“DeLillo’s most affecting novel yet...A dazzling, phosphorescent work of art.”—Michiko Kakutani, The New York Times

“The clearest vision yet of what it felt like to live through that day.” —Malcolm Jones, Newsweek

“A metaphysical ghost story about a woman alone…intimate, spare, exquisite.” —Adam Begley, The New York Times Book Review

“A brilliant new novel....Don DeLillo continues to think about the modern world in language and images as quizzically beautiful as any writer.” — San Francisco Chronicle

Josephine Tey re-creates one of history's most famous -- and vicious -- crimes in her classic bestselling novel, a must read for connoisseurs of fiction, now with a new introduction by Robert Barnard

Inspector Alan Grant of Scotland Yard, recuperating from a broken leg, becomes fascinated with a contemporary portrait of Richard III that bears no resemblance to the Wicked Uncle of history. Could such a sensitive, noble face actually belong to one of the world's most heinous villains -- a venomous hunchback who may have killed his brother's children to make his crown secure? Or could Richard have been the victim, turned into a monster by the usurpers of England's throne? Grant determines to find out once and for all, with the help of the British Museum and an American scholar, what kind of man Richard Plantagenet really was and who killed the Little Princes in the Tower.

The Daughter of Time is an ingeniously plotted, beautifully written, and suspenseful tale, a supreme achievement from one of mystery writing's most gifted masters.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs....

A treasure worth killing for. Sam Spade, a slightly shopworn private eye with his own solitary code of ethics. A perfumed grafter named Joel Cairo, a fat man name Gutman, and Brigid O’Shaughnessy, a beautiful and treacherous woman whose loyalties shift at the drop of a dime. These are the ingredients of Dashiell Hammett’s coolly glittering gem of detective fiction, a novel that has haunted three generations of readers.

For the first time, fans of the blockbuster Gears of War video games get an in-depth look at Delta Squad’s toughest fighters–soldier’s soldier Marcus Fenix and rock-solid Dominic Santiago–as well as a detailed account of the pivotal battle of the Pendulum Wars.

As kids, the three of them were inseparable; as soldiers, they were torn apart. Marcus Fenix and Dominic Santiago fought alongside Dom’s elder brother Carlos at Aspho Fields in the epic battle that changed the course of the Pendulum Wars. There’s a new war to fight now, a war for mankind’s very survival. But while the last human stronghold on Sera braces itself for another onslaught from the Locust Horde, ghosts come back to haunt Marcus and Dom. For Marcus–decorated war hero, convicted traitor–the return of an old comrade threatens to dredge up an agonizing secret he’s sworn to keep.

As the beleaguered Gears of the Coalition of Ordered Governments take a last stand to save mankind from extermination, the harrowing decisions made at Aspho Fields have to be re-lived and made again. Marcus and Dom can take anything the Locust Horde throws at them–but will their friendship survive the truth about Carlos Santiago?

First time in paperback!

This compelling, centuries-spanning novel brilliantly interweaves the lives of two women—a writer working in the heart of modern academia and a daring young Sioux Indian on an incredible journey in the eighteenth century. The result is an unforgettable story of courage in the face of the unknown.
 
LEGACY
 
At the age of thirty-eight, Brigitte Nicholson has a job she likes, a man she loves, and a book she’s writing that she will finish—someday. Someday is Brigitte’s watchword. Someday she and Ted will clarify their relationship. Someday she will stop playing it so safe. Then, on a snowy day in Boston, Brigitte’s life is jolted and everything she has counted on changes. As she struggles to plot a new course, Brigitte agrees to help her mother on a family genealogy project and makes a stunning discovery that reaches back to the French aristocracy. How did Brigitte’s mysterious ancestor Wachiwi, a Dakota Sioux, travel from the Great Plains to the French court of Louis XVI and Marie Antoinette? How did she come to marry into Brigitte’s family? What is the truth behind the tantalizing clues in the fragmented, centuries-old records? Traveling from South Dakota to Paris, following the threads of Wachiwi’s life, Brigitte finds herself in the forefront of her own story. With a powerful family legacy coming to life around her, someday is no longer in the future. Instead, in Danielle Steel’s mesmerizing novel, someday is now.

Pecola Breedlove, a young black girl, prays every day for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for normalcy, for the blond hair and blue eyes that she believes will allow her to finally fit in.Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife. A powerful examination of our obsession with beauty and conformity, Toni Morrison’s virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterized her writing.

Wittgenstein's Mistress is a novel unlike anything David Markson -- or anyone else -- has ever written before. It is the story of a woman who is convinced -- and, astonishingly, will ultimately convince the reader as well - that she is the only person left on earth.

Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state -- obviously a metaphor for ultimate loneliness -- so too will her drama become one of the few certifiably original fictions of our time.

"The novel I liked best this year," said the Washington Times upon the book's publication in 1988; "one dizzying, delightful, funny passage after another . . . Wittgenstein's Mistress gives proof positive that the experimental novel can produce high, pure works of imagination."

Set in post-war Switzerland, in the strict, repressive world of an institution for young girls, this novel tells the story of an idyll enjoyed in captivity and an adolescent friendship that becomes perverse and exploitative. The novel was awarded the Bagutto and Rapallo prizes in Italy.